957 likes, 7 comments - thecuratormag on April 24, 2025: "Trees (2015), Takashi Kuribayashi (@takashikuri). Japanese artist Takashi Kuribayashi’s Trees is a quiet but powerful meditation on memory, ecology, and urban intervention. Created from the remains of a tree felled for redevelopment, the installation reconstructs its form using transparent glass boxes. Each segment of the chopped trunk is encased in a cube, while additional boxes contain moss, leaves, and small plants collected locally in Singapore. When viewed from a particular angle, these suspended and grounded cubes realign visually to form the ghostly outline of a once-whole tree. Yet the aim is not to preserve or reanimate the tree. “The purpose,” Kuribayashi notes, “is not to keep plants alive.” Over time, the organic matter within each box begins to decay or grow, depending on its exposure to light and air. Some containers sprout life, others mold over. Each becomes its own microcosm—fragile, unpredictable, and alive with possibility. In cities like Singapore, where nature is often curated, confined, or ornamental, Trees becomes both a reconstruction and a critique. The tree is present and not present, living and decomposing, whole yet fragmented. It holds a memory of the natural world, framed—literally—within a system of control. Kuribayashi’s work has long explored boundaries between visible and invisible worlds. As he once stated: “The truth resides in places that are invisible. Once you become aware of a world out of sight, you begin to live differently.”
thecuratormag
[visual art, installation, art, nature]".