Eco-sculpture
Une boite à idées pour créer une oeuvre à mi-chemin de la sculpture et de l'éco-mobilier
Giuseppe Penone plante ses arbres à Versailles
Après Joana Vasconcelos l’an dernier, c’est Giuseppe Penone, figure de l’arte povera, qui a été invité à installer l’art contemporain à Versailles. Les arbres en bronze de cet amoureux de la nature investissent avec bonheur les jardins dessinés par Le Nôtre. Un grand cèdre de Versailles tombé lors de la tempête de 1999, récupéré et transformé par l’artiste, revient devant le château
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Trees by Takashi Kuribayashi
 
The Curator Mag on Instagram: "Trees (2015), Takashi Kuribayashi (@takashikuri). Japanese artist Takashi Kuribayashi’s Trees is a quiet but powerful meditation on memory, ecology, and urban intervention. Created from the remains of a tree felled for redevelopment, the installation reconstructs its form using transparent glass boxes. Each segment of the chopped trunk is encased in a cube, while additional boxes contain moss, leaves, and small plants collected locally in Singapore. When viewed from a particular angle, these suspended and grounded cubes realign visually to form the ghostly outline of a once-whole tree. Yet the aim is not to preserve or reanimate the tree. “The purpose,” Kuribayashi notes, “is not to keep plants alive.” Over time, the organic matter within each box begins to decay or grow, depending on its exposure to light and air. Some containers sprout life, others mold over. Each becomes its own microcosm—fragile, unpredictable, and alive with possibility. In cities like Singapore, where nature is often curated, confined, or ornamental, Trees becomes both a reconstruction and a critique. The tree is present and not present, living and decomposing, whole yet fragmented. It holds a memory of the natural world, framed—literally—within a system of control. Kuribayashi’s work has long explored boundaries between visible and invisible worlds. As he once stated: “The truth resides in places that are invisible. Once you become aware of a world out of sight, you begin to live differently.”
thecuratormag
[visual art, installation, art, nature]"
957 likes, 7 comments - thecuratormag on April 24, 2025: "Trees (2015), Takashi Kuribayashi (@takashikuri). Japanese artist Takashi Kuribayashi’s Trees is a quiet but powerful meditation on memory, ecology, and urban intervention. Created from the remains of a tree felled for redevelopment, the installation reconstructs its form using transparent glass boxes. Each segment of the chopped trunk is encased in a cube, while additional boxes contain moss, leaves, and small plants collected locally in Singapore. When viewed from a particular angle, these suspended and grounded cubes realign visually to form the ghostly outline of a once-whole tree. Yet the aim is not to preserve or reanimate the tree. “The purpose,” Kuribayashi notes, “is not to keep plants alive.” Over time, the organic matter within each box begins to decay or grow, depending on its exposure to light and air. Some containers sprout life, others mold over. Each becomes its own microcosm—fragile, unpredictable, and alive with possibility. In cities like Singapore, where nature is often curated, confined, or ornamental, Trees becomes both a reconstruction and a critique. The tree is present and not present, living and decomposing, whole yet fragmented. It holds a memory of the natural world, framed—literally—within a system of control. Kuribayashi’s work has long explored boundaries between visible and invisible worlds. As he once stated: “The truth resides in places that are invisible. Once you become aware of a world out of sight, you begin to live differently.”
thecuratormag
[visual art, installation, art, nature]".
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Wald aus Wald — Cercle
Ces arbres fantomatiques de l’artiste japonais Takashi Kuribayashi ont été crées pour s’intégrer à l’exposition Vision of Nature: Lost & Found in Asian contemporary Art, vouée à célébrer la nature et sa connexion à l’art. C’est à la Pao Galleries of the Hong Kong Arts Centre que flottait jusqu’en janvier 2012 cette forêt poétique et [...]Lire la suite…
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works | takashi kuribayashi
栗林隆の展覧会、作品。国内外での展示の様子等をご覧いただけます。
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Le Grand Palais transformé en grotte baroque où se déploie le sublime monde en carton d'Eva Jospin
Eva Jospin investit une galerie du Grand Palais d'une quinzaine de ses fantastiques œuvres en carton, entre paysages sculptés et architectures imaginaires.
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